At the far end of the enfilade, a terrazzo staircase inlaid with brass winds up between oak-paneled walls to a small “contemplation space” flooded with light from a picture window in the gable wall. That is unfortunate, says McLaughlin, but was always anticipated, and the architects opted to concentrate their efforts where it counts. Much of the fabric of these rooms is obscured by the exhibition design, delivered by another firm.
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